Hugo Avigo
(—b. 1988, Clamart, France)
Hugo Avigo develops a bold practice that plays with a controlled exaggeration of the codes of sculpture, painting, and installation. Through these different media, his artistic practice explores the realms of public space, speculative fiction, and self-healing. Inhabiting space in unexpected ways, his works—often extravagant in form and disproportionate in scale—challenge our preconceived notions about bodies and their gravity, places and their functions, in order to destabilize our perception of everyday life.

Faye Wei Wei
(—b.1994, London, UK)
Faye Wei Wei is currently following the MA in Fine Arts of Yale (USA) after she graduated from the Slade (London, UK) in 2016. Faye Wei Wei conceives of the painting process as an intimate choreography between actual and pictorial space. Often revolving around spiritual iconography and classical myth, love rituals and the theatricality of gender, her works sometimes suggest the themes of particular mythic narratives, and at other moments seem to depart into a more ambiguous, interior space of incongruity and uncertainty.

Alexander Lee Page
(—b. 1990, Denver, USA)
Alexander Lee Page lives and works in New York City. He works in painting, drawing, and sculpture. His first solo exhibition was held at Galerie Timonier in New York City at the beginning of 2024. Since, he has exhibited in France, Denmark and Belgium.

Marco Villard
(—b. 1992, New York City, USA)
Marco Villard’s practice spans several mediums such as painting, filmmaking, performance and poetry. Villard's work is firmly rooted in symbolism and evokes a meaningful sense of play. Paintings often portray nonsensical figures and animals, accompanied by a rich contrasting color palette, a defining feature of Villard's work and stylistic choice that is uniquely informed by his color blindness. For the first time, Villard focuses on dreamt houses, recomposed memories of his family myth.

Kostis Velonis
(—b. 1968, Greece)
Kostis Velonis’ sculptures explore the comic and awkward condition of the object as subject, implying allegoric, everyday narratives and mythological plots. Throughout his work, the emphasis is placed on the moral implications of failure and clumsiness caused by daydreaming and the reality that frustrates it. The context of this reading is articulated through a systematic vocabulary of forms and materials that refer to modernity via architectural typologies such as ancient Greek theatre structures (stage, stands, orchestra), the politics of the podium, avant-garde propaganda booths and the subpolitics of domesticity.